Manual Ancient Mexican Design

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Studies on Mexican Paleontology. Dictionary of Mexican Literature. Mexican Rebel Sex Slaves. Recommend Documents. Mexican Heat eBooks are not transferable. They cannot be sold, shared or given away as it is an infringement on the copyright of thi Your name. The test designs were elaborated in beeswax and white copal vegetable resin. In the next step, they were covered with a mixture of charcoal dust and clay until they formed a mould.


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  • From the 35 experimental castings, 26 complete bell designs were produced. One particularly significant finding was that the temperature of the mould was the most important factor that determined the successful elaboration of a design Fig. The morphological analysis of the bells, together with the description of the smelting process found in the Florentine Codex, are important sources of information that must be taken into account in the experimental archaeological work carried out to determine how jewelry was elaborated in Prehispanic times.

    Fig 1. Cord decorated bell.

    Ancient Mexican Designs

    The spiral form of the suspension ring and the cord that descends from the base of that ring to the opening of the design are visible. This cord functioned as both a decorative element and a secondary smelting channel. Fig 2. One can see the cord that descends from the base of the suspension ring to the opening of the design, and that functioned as both a decorative element and a secondary smelting channel. Also visible is the smooth face of the interior of the piece, evidence of the texture of the surface of the clay core upon which the bell was modeled. Fig 3. The spiral form of the suspension ring and the cord that descends from the base of that ring to the bottom of the design are visible.

    In addition to serving as a decorative element, this cord also functioned as a secondary smelting channel. In this image we see how the cords were interwoven to form the braided motif. Fig 4. Smooth surface bell formed by flattening the wax cords. Note the smelting conduct adhering to the suspension ring and a thick rim that decorates the opening of the design.

    Fig 5. Smooth surface bell; the upper part is made of sectioned wax cords, while the lower section has a smooth appearance. The suspension ring of this design shows no signs of the connection with the smelting channel. Fig 6. Smooth surface bell; the suspension ring of this design shows no signs of the connection with the smelting channel.

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    Fig 7. Fig 8. Smooth surface bell. The suspension ring of this design shows no signs of the connection with the smelting channel, but there is a metal clapper in the interior. Fig 9. Cord decorated bell; the spiral-shaped suspension ring is visible, as are two stone clappers in the interior. Fig Smooth surface bell; one can see a circular metal clapper in the interior.

    Cord decorated bell, but with no clapper inside. The visible cord that descends from the base of the suspension ring to the opening of the design functioned as both a decorative element and a secondary smelting channel. Fragment of a cord decorated bell; only the upper part of the design is visible.

    Note the interior part of the design and its smooth surface, showing the texture of the clay core used in modeling the piece. Prehispanic bell with a smooth surface that was formed by flattening the wax cords. Also visible is the thick rim that decorates the opening of the design. Smooth surface bell produced by flattening the cords of wax. Note the braided decoration on the opening of the design and the connection of the smelting channel with the suspension ring. This piece has a descending thread that goes from the base of the suspension ring to the opening of the design and that functioned as both a decorative element and a secondary smelting channel.